Goodbye To Harlan Ellison, ‘America’s Weird Uncle’

Ellison in 1977, with his beloved typewriter.
Barbara Alper/Getty Images

Editor’s note: This piece uses some strong language; we think Harlan Ellison would have approved.

Harlan Ellison is dead. He was 375 years old. He died fighting alien space bears.

Harlan is dead. He exploded in his living room, in his favorite chair, apoplectic over the absolute garbage fire this world has become. He’s dead, gone missing under mysterious circumstances, leaving behind many suspects. He went down arguing over the law of gravity with a small plane in which he was flying. Harlan took the contrary position. He won.

Harlan Ellison, science fiction writer and legendarily angry man, died Thursday. He exited peacefully (as far as such things go) at home and in his sleep. He was 84 years old.

Any one of those first lies seems to me more likely than the truth of the last one. Hard enough to believe that Ellison is gone — that something out there finally stilled that great and furious spirit and pried those pecking fingers from the keyboard of his Olympia typewriter (without, apparently, the aid of explosives). But a quiet farewell to this life that he loved so largely and this world that he excoriated so beautifully? If someone had asked me, I would’ve bet on the space bears.

Harlan Ellison was, after all, one of the most interesting humans on Earth. He was one of the greatest and most influential science fiction writers alive (until yesterday), and now is one of the best dead ones. He was a complete jerk, mostly unapologetically, and a purely American creation — short, loud, furious, outnumbered but never outmatched — who came up in Cleveland, went to LA and lived like some kind of darkside Forrest Gump; a man who, however improbably, however weirdly, inserted himself into history simply by dint of being out in it, brass knuckles in his pocket, and always looking for trouble.

In his youth, he claims to have been, among other things, “a tuna fisherman off the coast of Galveston, itinerant crop-picker down in New Orleans, hired gun for a wealthy neurotic, nitroglycerine truck driver in North Carolina, short-order cook, cab driver.” He was the kid who ran off and joined the circus. Bought the circus. Burned the whole circus down one night just to see the pretty lights.Stone fact: He marched with Martin Luther King, Jr. in Selma, lectured to college kids, visited with death row inmates, and once mailed a dead gopher to a publisher. He got into it with Frank Sinatra one night in Beverly Hills. Omar Sharif and Peter Falk were there. Ellison was shooting pool, and in walks Sinatra, who laid into Ellison because he didn’t like the kid’s boots.

And look, this is Sinatra in ’65. Sinatra at the height of his power and glory. A Sinatra who could wreck anyone he felt like. But Ellison simply did not care. He went nose-to-nose with Sinatra, shouting, ready to scrap. Gay Talese was there, working on a story, so Ellison became a tiny part of what, among magazine geeks, stands as the single greatest magazine profile of all time: “Frank Sinatra Has A Cold.” “Sinatra probably forgot about it at once,” Talese wrote, “but Ellison will remember it all his life.”

And that was absolutely true.

But that moment? It encapsulated Ellison. His luck, his deviltry, his style and violence. He lived like he had nothing to lose, and he wrote the same way. Twenty hours a day sometimes, hunched over a typewriter, just pounding. He published something like 1,800 stories in his life and some of them (not just one of them or two of them, but a lot of them) are among the best, most important things ever put down on paper.

Ellison brought a literary sensibility to sci-fi at a time when the entire establishment was allergic to any notion of art, won awards for it, and held those who’d doubted him early in a state of perpetual contempt. He wrote “I Have No Mouth and I Must Scream” and “‘Repent, Harlequin!’ Said the Ticktockman.” But everyone knows that, right? He wrote “A Boy and His Dog,” which became the movie of the same name and still stands as one of the darkest, most disturbing, most gorgeously weird examples of post-apocalyptica on the shelves.

His anthology, Dangerous Visions, gave weight and seriousness to the New Wave movement that revitalized sci-fi in the ’70s. That kicked open the door for everyone who came after and the scene we have today. He wrote a flamethrower essay about hating Christmas and the script for “City on the Edge of Forever,” the Star Trekepisode that most nerds who lean in that direction will tell you was the best of the series. He wrote for comics, for videogames, for Hollywood, got fired from Disney on his first day for making jokes about Disney porn.

He was … science fiction’s Hemingway. Its Picasso. Talented and conflicted, both, and with a fire in him that sometimes came out as genius and sometimes as violence and no one ever knew which one they’d get.

“My work is foursquare for chaos,” he once told Stephen King. “I spend my life personally, and my work professionally, keeping the soup boiling. Gadfly is what they call you when you are no longer dangerous; I much prefer troublemaker, malcontent, desperado. I see myself as a combination of Zorro and Jiminy Cricket. My stories go out from here and raise hell.”

And he followed those stories right out the door. Did he get in fights? He did. And bragged about every one of them. Filed lawsuits like they were greeting cards. He assaulted book people with frightening regularity, went to story meetings with a baseball bat back in the day. He groped the author Connie Willis on stage during a Hugo Award ceremony, for which some people never forgave him.

And there’s nothing to say to normalize that. He wasn’t just some curmudgeon or crank to wave off. I once called him “America’s weird uncle,” but that almost seems too gentle because he was more than that. He was an all-American a**hole, born and bred. Science fiction’s Hemingway. Its Picasso. Talented and conflicted, both, and with a fire in him that sometimes came out as genius and sometimes as violence and no one ever knew which one they’d get.

But all of this? None of it really matters today. Because the man is dead and these are the Legends of Ol’ Harlan now. The tales he left behind — on paper and in the heads of those fortunate enough to read him when he was at his acetylene brightest — and the stories that followed in his stories’ wake. To say he was one-of-a-kind would be trite, and he would likely hate that. What he was, was a legend. Singular. Absolutely deserving of all the love and all the anger he earned in his time. With his work, he has purchased immortality at bulk rates. With his life, he stayed on till dawn and cursed the sun for rising. If ever there was a man who lived more than he was due, it was Harlan Ellison.

He’s earned his rest.

And the respect of the space bears.

By Jason Sheehan, June 29, 2018, first appearing on Books : NPR
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Genre Friday: Sword and Planet Fiction

Is it fantasy or is it science-fiction?

Yes.

While it might be past it’s prime as a genre it remains a fascinating and fun mash-up of beloved genres, themes and tropes. Interested? Keep reading to get a quick intro from Unbound Worlds.

So You Want to Read Sword and Planet Fiction: Here’s Where to Start

Mash together fantasy’s sword-swinging heroes, and the far-out alien civilizations of early science-fiction, and you’ve got Sword and Planet fiction. Arguably the brainchild of Tarzan creator Edgar Rice Burroughs, Sword and Planet tales usually features human protagonists adventuring on a planet teeming with life, intelligent or otherwise. Science takes a backseat to romance and derring-do in Sword and Planet stories, with little if any consideration given to the actual conditions on Mars, Venus, or wherever else the story takes place.

It isn’t as popular of a genre as it once was. Honestly, like the fanciful canals that we once thought crisscrossed Mars, Sword and Planet is all but extinct as an idea. So little was known about our planetary neighbors in the days of Edgar Rice Burroughs, so It was easier for readers to imagine intelligent life on Mars, or Venus. Reading tastes have changed, too. Episodic, pulp-flavored fantasy has fallen in favor, replaced in the public imagination by epic fantasies that stretch across multiple volumes.

Where Sword and Planet can really be seen today is in the influence it has had on popular culture. The lightsabers, blasters, and planet-hopping heroics of “Star Wars” probably wouldn’t exist were it not for Sword and Planet. Neither would “Avatar” or “Stargate”. Regardless of its current status, the classics of Sword and Planet literature are still very much worth seeking out, and with this list we hope to provide you with a good starting point.

The cover of the book A Princess of MarsA Princess of Mars

EDGAR RICE BURROUGHS

Before there was Tarzan, there was John Carter: a renegade Civil War veteran mysteriously transported to Mars: home to a dying civilization locked in eternal conflict with enemy barbarian tribes. There, among a people entirely unlike any he has ever met, Carter will find everything he ever wanted: adventure, riches, and love.

 

The cover of the book The Ginger StarThe Ginger Star

LEIGH BRACKETT

Leigh Brackett was one of the pulp era’s great women writers. She has never quite gotten her due, despite having not only written many great novels, but also first draft of a little film titled “Star Wars: Episode V: The Empire Strikes Back”.  The Ginger Star is the first volume in her series, The Book of Skaith: a collection of tales starring outlaw spacer Eric John Stark. In this installment, Stark has to rescue his foster father from the Lords Protector: a group of despots guarded by vicious, telepathic dog creatures.

 

The cover of the book Planet of AdventurePlanet of Adventure

JACK VANCE

Jack Vance is, of course, famous for his Dying Earth stories — and deservedly so. However, he wrote a lot of other things, among them Planet of Adventure: a cycle of four novels chronicling the adventures of Adam Reith: a space traveler stranded on Tschai: a savage alien planet home to slavers, murderers, and monsters.

 

The cover of the book Transit to ScorpioTransit to Scorpio

KENNETH BULMER

The Dray Prescot series was one of Sword and Planet’s longest series, clocking in at 52 volumes in total. In Transit to Scorpio, the first book in the line, adventurer Dray Presott finds himself ensnared in a planetary chess game far larger than any he has ever encountered.

 

The cover of the book ParagaeaParagaea

CHRIS ROBERSON

Paragaea is the story of Leena Cirikov, a Soviet astronaut inexplicably transported to a strange world of mystery and adventure. Fortunately for Cirikov, she’s not the only Earthling trapped in this dimension. There’s also Lieutenant Heironymous Bonaventure of the Royal Navy: an officer who left home to fight Napoleon and never returned. Bonaventure, along with his jaguar man companion Balam, have agree to help Cirikov find a way home, but is their mission a futile one?

 

The cover of the book Old MarsOld Mars

EDITED BY GEORGE R. R. MARTIN AND GARDNER DOZOIS

Editors George R. R. Martin and Gardner Dozois invite readers to explore the Mars of yesterday: an ancient planet of deserts, ruined cities, and canals twisting through the endless red sands. Featuring stories by Michael Moorcock, S. M. Stirling, Liz Williams, and many more, Old Mars will leave you longing to visit a world that has never been.

 

The cover of the book Old VenusOld Venus

EDITED BY GEORGE R. R. MARTIN & GARDNER DOZOIS

In this follow-up to Old Mars, a collection of award-winning authors tell tales of the Venus of yesterday: a steamy, jungle planet teeming with dangerous alien life. Contributors include, Gwyneth Jones, Elizabeth Bear, Joe Haldeman, and others.

Loved ‘Ready Player One’? Check out these 8 Books

Image result for ready player one wallpaper

Photo Credit: Ready Player One © 2018 Warner Bros. & De Line Pictures

by Cybil, March 28, 2018, first appearing on Goodreads Blog

With Steven Spielberg’s shiny new adaptation of Ready Player One hits theaters this past weekend, we thought it would be a fun game to round up eight more highly rated books for people who loved Ernest Cline’s dystopian science fiction debut.

Set in a rather bleak 2045, Ready Player One centers on a young Wade Watts who’s searching for the ultimate Easter egg in a global 1980s-themed virtual reality game—and the chance to win an outrageous inheritance from the game’s creator. The book has become beloved since its 2011 publication, with more than a half million reviews on Goodreads and a very robust 4.30-star rating from the community.

With such talented competition, we made sure that every sci-fi book in this roundup also has at least a four-star rating. And we looked at what books people who highly rated Ready Player One also read…and loved.

Ender's Game Snow Crash Warcross Red Rising
We Are Legion Daemon Nexus Altered Carbon

Quick, before they’re all made into movies and TV shows!

Still Dreaming: A Guide to the Essential Philip K. Dick Books

Philip K. Dick/Photo © Nicole Olivieri Panter

The visually striking “Blade Runner 2049” plunges audiences back down a futuristic rabbit hole mingling noir sensibilities with artificial beings living among people who want to eliminate them. But this sequel to 1982’s “Blade Runner” goes way beyond cat-and-mouse suspense to explore what makes us human.

Author Philip K. Dick loved to ponder alternative universes and question reality over his forty-four novels and roughly 120 short stories, merging science fiction with philosophy. Since his 1968 novel, Do Androids Dream of Electric Sheep?, which inspired the original “Blade Runner,” Hollywood has mined his works for ideas, often expanding just nuggets into films.

Dick can be a dense read or a head trip, but this member of the Science Fiction Hall of Fame has thoughts on world building that are as relevant today as they were in 1978. “[W]e live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups,” he said in a speech that year. “So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people …. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.”

The cover of the book Do Androids Dream of Electric Sheep?

Do Androids Dream of Electric Sheep?

Philip K. Dick

The film adaptation of this Nebula Award nominee introduced mainstream audiences to the terms blade runner (a type of bounty hunter) and replicant (an artificial person). Fans of Blade Runner might love to compare how it veers from the book, with sequences such as protagonist Rick Deckard being arrested by a police precinct of androids. Deckard’s empathy remains intact: “The electrical things have their lives too, paltry as those lives are,” he notes.

The cover of the book Time Out of Joint

Time Out of Joint

Philip K. Dick

Dick references Hamlet in the title of this 1959 novel, which might remind readers of the film “The Truman Show.” A man who thinks he lives in a quiet community finds reward in being a crossword puzzle champion. This mild brain teaser, however, turns out to be a ruse for a greater task only he can do – something that would devastate him if he knew the truth. This read offers a good taste of Dick’s favorite themes and frequent setup of an ordinary person watching his life unravel.

The cover of the book The Man in the High Castle

The Man in the High Castle

Philip K. Dick

Amazon adapted Dick’s 1962 Hugo Award-winning novel into an acclaimed TV series, now entering its third season. It imagines the Axis powers – chiefly Nazi Germany and Japan – won World War II and have established totalitarian rule in the United States.

 

The cover of the book Clans of the Alphane Moon

Clans of the Alphane Moon

Philip K. Dick

Based on Dick’s short story “Shell Game,” this acerbically comic novel establishes a caste-like society on a distant moon comprised of people with various mental illnesses playing to their strengths. (The paranoiacs are the statesmen and secret police. Those with mania are warriors. The schizophrenics are poets or religious visionaries, and so on.) Dick, who during his life wrote and spoke about his own hallucinations, also includes characters such as a telepathic slime mold.

The cover of the book Ubik

Ubik

Philip K. Dick

Chosen by TIME magazine as one of the 100 greatest novels since 1923, this “existential horror story” written in 1966 and published in 1969 envisions a future where psychic phenomena are common, to the point that a privacy company employs those who can block telepathic intrusions. Some of those come from the dead, who exist in a suspended state that allows them to communicate.

The cover of the book Flow My Tears, the Policeman Said

Flow My Tears, the Policeman Said

Philip K. Dick

Winner of the John W. Campbell Memorial Award, this 1974 novel follows a popular TV star who wakes up one morning to learn that he’s never existed, and that the United States is now a police state following a second Civil War. The title alludes to a musical work by sixteenth-century composer John Dowland, and the plot mixes the espionage of forged identities and a life on the run with reality-warping drugs and parallel universes.

The cover of the book A Scanner Darkly

A Scanner Darkly

Philip K. Dick

Director Richard Linklater adapted this 1977 novel into a well-received animated film starring Keanu Reeves, Winona Ryder, and Robert Downey Jr. Based partly on Dick’s experiences using amphetamines and living with addicts, the book focuses on an undercover cop who loses his identity as he becomes involved with a new psychoactive drug.

The cover of the book The Shifting Realities of Philip K. Dick

The Shifting Realities of Philip K. Dick

Philip K. Dick (Edited by Lawrence Sutin)

This 1996 collection presents Dick’s worldview through an impressive mix of autobiography, speculative essays, and critiques. It includes his speech “How to Build a Universe That Doesn’t Fall Apart Two Days Later” (from which the quote above was taken) and gems such as the beginnings of his VALIS trilogy and two chapters of a proposed sequel to The Man in the High Castle.

Red Rising Ditto

Big fan of the series or pumpded about book 4, Iron Gold? Here are some others things you might enjoy.

Red Rising Shelf End Ditto NU

The Best Science Fiction and Fantasy of 2017

by Adrian Liang, November 30, 2017, first appearing on Omnivoracious

Artificial intelligence, angels fallen to earth, Loki, murderbots, apocalyptic doom, and a leap in evolution are among the highlights of this year’s best science fiction and fantasy.

Every best-of list like this has its own criteria for a book’s inclusion, whether it be formally written out or lurking in the back of the editors’ minds. For my part, I wanted to put a spotlight on stories that were willing to stride down a less-beaten path while still thriving on the core values of heroism and derring-do that draw us to read science fiction or fantasy.

Every year it’s nearly impossible to winnow the list down to only 20. This year, thirteen of the 20 are either standalone books or start a new series, and the other seven books continue series that you’ll thank yourself for plunging into (but start with book one!). Three stories are self-labeled for teens or young adults, quite a few more straddle the “coming of age” space where so much adventure can happen, and even a handful of books revel in the hard-won wisdom that middle-age brings.

Below are 10 of the 20 best books of the year, focusing mostly on standalones or series starters.

To see the full list, go to our page that lists all 20 best science fiction and fantasy books of 2017.

The Bear and the Nightingale by Katherine Arden – Arden’s debut novel builds like a thunderstorm, with far-off disquieting rumblings that escalate into a clash between sprites and humans, ancient religions and new, honor and ambition. Set in the 14th century in the bitter north, a two-week ride from the rough city of Moscow, this mesmerizing tale centers on Vasya Petronova, a girl who barely survives birth and grows up with a secret affinity for the sprites and demons that live in and around her village. “A wild thing new-caught and just barely groomed into submission” is how her father imagines her, and he’s not wrong. As her family tries to harness her into the typical domestic life of a young noblewoman, Vasya spends more and more time among the sprites and soon gets caught between two old and powerful gods struggling for domination over her part of the world. And while I think there are only a dozen or so novels in this world that have a perfect ending, I would put The Bear and the Nightingale high on that list. Book two, The Girl in the Tower, hit shelves on December 5.

All Systems Red: The Murderbot Diaries by Martha Wells – A weapon-heavy security bot on a contract with surveyors sent to investigate a new planet, Murderbot (as it refers to itself) takes pains to conceal from the humans it’s guarding that there’s something different about it: Murderbot has disabled the function that requires it to obey any orders given or downloaded. All Murderbot wants is time to itself so that it can watch the thousands of hours of entertainment vids it’s downloaded on the sly, but the sudden, ominous silence from the surveyors’ sister camp knocks those plans awry. Tense action locks in step with Murderbot’s march toward owning its personhood, imbuing the android with more character than other, far larger novels ever manage to do. A tight space adventure with a deep core of humanity, All Systems Red has become one of my favorite books this year to press into the hands of my fellow SF readers.

Norse Mythology by Neil Gaiman – Neil Gaiman putting his own fingerprints on the Norse myths? Cue the hyperventilation of delighted readers. That reaction is genuinely earned in this inventive retelling, as Gaiman darts between a Tolkienesque tone in the epic origin stories and his own bright wit in the tales centering on the adventures of Thor, Loki, and Odin. Those new to Norse mythology might be astonished by how bizarre some details are, while fans more well-versed in Norse myths should still appreciate the humor and spark that Gaiman infuses into the stories he has selected to retell, adding to the existing rich literature. Many who read Norse Mythology will make this volume their joyful leaping-off point into a strange and mesmerizing world of gods, giants, undead goats, betrayals, a slanderous squirrel, elves, dwarves, and Valkyries. And don’t forget that ship made of the finger- and toenails of the dead.

The Hundredth Queen by Emily R. King – This tale of young orphan girls who are trained to be devout warriors—and then, disturbingly, are given to benefactors as servants, concubines, or wives—is ultimately one of strength and sisterhood. Sickly but spirited 18-year-old Kalinda is chosen to be the rajah’s 100th and final queen, an “honor” she desperately does not want but to decline means death. A bubbling civil war and the deadly intrigues of the court complicate Kalinda’s choices further, and King dials up the tension as the date of Kalinda’s wedding grows closer. Powerful and innocent at once, this is a good pick for those who embraced the lessons of justice and generosity in Wonder Woman.

The Power by Naomi Alderman – Margaret Atwood calls this book “Electrifying!” and it’s not just because in The Power young women have developed the ability to electrocute people, overturning the power hierarchy of the world. Girls and boys are sent to segregated schools, and female public officials are required to go through testing to make sure they don’t have the ability because, oh my gosh, the world just might as well be over if women gain physical leverage over men. It would have been easy to write a strident and simplistic anti-man book—one that would be welcomed especially now, during a tsunami of sexual harassment scandals—but instead Alderman weaves more nuanced ideas into a thoughtful yet action-packed story, giving readers of The Power lots to consider and lots to thrill to.

The City of Brass by S. A. Chakraborty – George R. R. Martin’s Game of Thrones meets Naomi Novik’s Uprooted in this marvelous debut fantasy about a young con artist from 18th century Cairo who learns that her mysterious parentage—and her ability to work small magics—might be connected to the nearly forgotten legends of the djinn, Suleiman the Magnificent, and the mysterious brass city of Daevabad. When Nahri accidentally summons Dara, a djinn warrior with a long and bloody past, she plunges both of them into the brewing animosity among the ancient djinn tribes united only by their disdain for their half-human offspring, who have few rights in the djinn stronghold of Daevabad. But not all djinn think the half-humans should be persecuted. Alizayd, the djinn king’s second son, works in the shadows to right wrongs even as surging tensions birth battles in the streets. Deep and gorgeous world building plus the political plot corkscrews caused me to happily ruminate on this book and its characters weeks after I finished it. I have a few quibbles—Nahri doesn’t have as much to do in the second half as in the first—but Chakraborty’s heck of a finale was both a surprise and felt completely right…and left me quivering with anticipation for the second book in the trilogy.

Artemis by Andy Weir – As in The Martian (the book, not the film), Artemis‘s strengths are Weir’s plotting and the gee-whiz science facts leveraged to make survival more unlikely than guaranteed. Twenty-something Jazz has made a niche for herself as a reliable smuggler in the one and only small city on the Moon. When one of her clients offers her a sabotage job that will let her pay back an old debt, Jax pushes aside her misgivings…and the hijinx begin. For me, the weakness of Artemis is Jazz herself, who, like Mark Watney (in the book!), can come off sometimes as an infantile jerk. Still, there’s quite a lot to enjoy about Artemis as a clever heist-gone-wrong-on-the-Moon story.

The House of Binding Thorns by Aliette de Bodard – The second book in the Dominion of the Fallen series is just as atmospheric as the first and shoves you right into the middle of the twisty political action in which fallen angels and dragons compete for people and power. De Bodard knows how to craft a deliciously tense story in which flawed characters with competing agendas keep you flipping the pages to find out what happens next—and her broken, dark Paris is the perfect setting. Fantasy and urban fantasy fans should start with The House of Shattered Wings with a happy confidence that book two is excellent as well.

Void Star by Zachary Mason – In this near-future SF suspense novel, Irene’s neural implant and her ability to talk with machines makes her a much-coveted and very expensive tech troubleshooter, but her meeting with billionaire Cromwell sets off all sorts of subconscious alarm bells, as does the frightening glimpse of a wild AI she’s never encountered before. Void Star utilizes a deliberate, predatory pace more common to the most exquisite horror novels. A buildup of tiny tells, headlong plunges into the sharp-as-glass memories saved in Irene’s implant, and eerie snapshots of the strange and inexplicable hammer the tension into a near-unbearable drumbeat. But even as Irene crisscrosses the planet—sometimes on the run, sometimes on the chase—it’s the essential role of memories that gives this novel its heft, coaxing us to consider what we keep and what we leave behind in our own daily world-building.

When the English Fall by David Williams – In this spare but tense novel, only the Amish have the skills and the food stores to survive after an unexplained event destroys most modern technology, causing planes to fall out of the sky and electricity to fail. Told through the diary entries of Amish farmer Jacob, the bubbling-up of anger and violence in the outside world slowly begins to affect the self-sufficient Amish, forcing them to rethink their relationships with the non-Amish and how they will stay true to their beliefs while under new pressure. A fascinating exploration of the corrosive effect of anger and the strength that can be found in holding true to one’s beliefs, even if it leads to the harder path.

World Fantasy Awards Announced

by Chris SchluepNovember 07, 2017, first appearing on Omnivoracious

The winners of the 2017 World Fantasy Awards have been announced. The ceremony was held earlier this month in San Antonio, Texas at the World Fantasy Convention. The Lifetime Achievement Awards, presented annually to individuals who have demonstrated outstanding service to the fantasy field, went to Terry Brooks and Marina Warner.

Below is a list of the winners from selected categories. You can see all of the winners listed on Locus.

Best Novel

  • The Sudden Appearance of Hope by Claire North
  • Borderline by Mishell Baker
  • Roadsouls by Betsy James
  • The Obelisk Gate by N.K. Jemisin
  • Lovecraft Country by Matt Ruff

Best Long Fiction

  • The Dream-Quest of Vellitt Boe by Kij Johnson
  • The Ballad of Black Tom by Victor LaValle
  • Every Heart a Doorway by Seanan McGuire
  • A Taste of Honey by Kai Ashante Wilson

Best Short Fiction

  • Das Steingeschöpf” by G.V. Anderson
  • Our Talons Can Crush Galaxies” by Brooke Bolander
  • Seasons of Glass and Iron” by Amal El-Mohtar
  • Little Widow” by Maria Dahvana Headley
  • The Fall Shall Further the Flight in Me” by Rachael K. Jones

Best Anthology

  • Dreaming in the Dark edited by Jack Dann
  • Clockwork Phoenix 5 edited by Mike Allen
  • Children of Lovecraft edited by Ellen Datlow
  • The Best American Science Fiction and Fantasy 2016 edited by Karen Joy Fowler & John Joseph Adams
  • The Starlit Wood edited by Dominik Parisien & Navah Wolfe

Best Collection

  • A Natural History of Hell by Jeffrey Ford
  • Sharp Ends by Joe Abercrombie
  • On the Eyeball Floor and Other Stories by Tina Connolly
  • Vacui Magia by L.S. Johnson
  • The Paper Menagerie and Other Stories by Ken Liu